Women Under Siege: It’s Happening Right Here
Curated by Susan Grabel
WINDS OS CHANGE by Melanie Hickerson |
January 3-28, 2017
Opening reception: Thursday
January 5, 2017 6-8 pm
Ceres Gallery is pleased to present an
exhibition curated by artist Susan Grabel addressing the sexism and
misogyny contained in laws across the country being used against women. “It’s
happening right here,” Grabel says, “in the exceptional USA, not just
in Third World countries.”
Women are under siege
from misguided legislatures and law enforcement agencies in many parts of the
country. Under the guise of protecting the fetus, women are being
persecuted, forced to undergo unwanted and unwarranted medical procedures,
confined against their will to hospitals, imprisoned for having miscarriages as
well as for using substances while pregnant even if, like methadone, they are
prescribed by a doctor. Women are being punished for the outcome of their
pregnancies. The potential life of a fetus is deemed more important than
the life and well-being of the mother.
Women are also under
siege from an antiquated criminal justice system that does not take
into account the realities of domestic abuse and its impact over the course of time. Child abuse laws are being manipulated so
that abused women are being punished because they couldn't protect their
children and often given more jail time than their abusers.
In Gallery I, Grabel chose
the stories of 25 women whose circumstances illustrate these issues. She
invited artists to acquaint themselves with a particular woman’s story and to create
an artwork in response to it. Participating artists: Pauline Chernichaw, Loren Dann,
Anne Drager, Everet, Phyllis
Featherstone, Susan Grabel, Melanie Hickerson,
Elizabeth Featherstone Hoff, Judith Hugentobler, Mary Anne Kinsella, Marilyn Kiss,
Helen Klebesadel,
Stephanie Kosinski, Marjorie
Kramer, Tania Kravath, Barbara Lubliner, Lynne Mayocole, Ann Marie McDonnell, Christine Mottau, Denise Mumm, Perri Neri, Ruth Bauer Neustadter, Kristi Pfister, Rhoda Pierce, Elizabeth Downer Riker.
Ceres’
50% commission on all sales will be donated to National Advocates for Pregnant Women and The Women in Prison Project of the Correctional Association of New
York.
In Gallery II, artist Francine Perlman presents an
installation, Doors Open, Doors Close
that speaks to the plight of women who have escaped domestic violence only to
find themselves in shelters and often in poverty. Doors, some open
and some closed, are the main supporting and thematic element of the
installation which incorporates collages and text made by
women living in domestic violence shelters, during workshops given by the
artist.
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